Writing sample 02: ‘Grin and Bear It’

Excerpt from The Adventures of Edward Brett: Volume One, Chapter One: ‘Grin and Bear it’. Read the full spooktacular story here!

“He was sat there,” she said, pointing fearfully to the desk opposite her own. “That’s Matthew’s desk – the chap that the thing looked like.” 

“And he just appeared out of nowhere?” 

“Yeah, I looked up and there he was, grinning at me. It was horrible.” 

“Grinning?” 

“His face was set in this horrid toothy grin. It looked like him but he was all kind of faded, like he’d been through the wash too many times. If that makes sense?” 

“Not remotely!” the man said dismissively, eyeing the full scope of the office warily. “And at the same time, entirely. Did he look, well…dead?” 

Wanda shrugged exhaustedly. “I don’t know. I haven’t actually seen any dead people lately.” 

The man walked over to the desk in question. “Lucky you.” 

“I mean, he didn’t look well. If you saw him on the street you’d probably say he needed to get himself down the walk-in centre.” 

The man pulled Matthew’s chair out and got down on his knees, examining underneath. “No burns on the carpet, no scorch marks. So that rules out, well, any kind of magic for a start. And Kentish Fire Monsters. No, wouldn’t be them anyway, what am I thinking, we’re in Surrey. I’m Edward, by the way, Edward Brett.” He added the introduction like an afterthought. 

“Wanda Smith,” said Wanda, feeling strangely formal. She never introduced herself with her surname. And Kentish what monsters? “Is Matthew dead? Was it a ghost?” she asked hesitantly, feeling ridiculous for even saying the word. 

His head popped up from underneath the desk. “Hahaha! No.” 

Wanda’s cheeks prickled. She didn’t like being laughed at. “Well, I don’t know,” she muttered. 

“Humans always think it’s ghosts. There’s a lot more out there than ghosts, Wanda, trust me. I wish it was ghosts. If it was ghosts we’d be finished and in the pub by now.” Edward hopped back onto his feet and walked over to her. 

She looked at him, wondering why he’d used the word humans like he had. “Who are you?” 

“I told you. Edward Brett.” 

“And you do this sort of thing a lot? Barging into offices, investigating things that aren’t ghosts?” 

“Hey, I didn’t barge anywhere! Your caretaker chappie let me in.” 

“Who, Phil?” Wanda asked incredulously. 

Edward nodded in a ‘sure, why not’ kind of way. “Yeah. Yeah, he looked like a Phil.” 

“Good grief! They go on at us about wearing our ID passes all the time and security risks and whatnot, then the caretaker goes and lets a nutter into the building.”  

“Oi!” 

“Well, you’re acting like a nutter.” 

“So what? Are you allergic to nuts?” 

“No.” 

“Right then. Jolly well stop complaining.” 

Read on partner …

Writing to feel

Us mortals are emotional creatures. We sometimes might like to think that we’re rational, logical, straight-brained beings that can handle decisions based on pure logic and reason, much like a computer (although tell that my battered old laptop who decides that mid-way through writing the best chapter I’ve ever written is the perfect time to crash and perform a total reboot). But the truth is we make so many of our choices based on feeling. Gut feeling, heart feeling, a feeling in your waters – call it what you like – but we can’t help but react to those wacky synapses telling us to do something because we’re upset, or angry, or moved or happy.

That’s why I think injecting emotion and heart into writing is so, so important. Emotion changes minds. Emotion changes opinions, emotion changes – full stop! Emotion changes us. And words are one powerful tool in eliciting emotions out of us.

You can use this to your own benefit if you’re running a business and you want to encourage your potential customers or clients to engage with you. Some might levy accusations of that being duplicitous or manipulative at you, trying to manufacture emotions in people to get them to buy in to your business or organisation. But I don’t think it’s as straightforward or crass as that, so long as the story you’re telling, the way you’re using words and the picture you’re painting, is genuine. So long as the feelings are real. Tell a genuine story. Present yourself through words with openness and honesty, and you’ll endear your readers to you in a real, authentic way. You’ll get them to feel something. And then – if they’re the right fit for the service you’re offering, they’ll find a quicker path to you.

Beyond business though, even just as a writer of stories, I love to inject my words with feeling and emotion because I want to bring good, uplifting feelings to my readers. Ultimately, my stories are about hope and joy and happiness. If I can infuse my words with enough of that, there’s a chance it will pass on to the person who’s reading it. And if just one person reads my writing and thinks, ‘actually, do you know what, I feel a bit better about things after reading that,’ then my work here is well and truly done, because I can’t think of a better achievement.

Writing sample 01: ‘Greenteeth’

An excerpt from my short story from the world of The Adventures of Edward Brett, called Greenteeth.

“Beware the places where water is still, 

Where flows do stop and airs do chill. 

For when gloom and bloom hide all beneath, 

Traveller beware, the water has teeth.” 

“And so then she lets go, watching him descend deep into the dark, into chaos – into hell, even, that’s what some of the ancients thought it was.” Edward shuddered as he spoke. “Forever falling, down and down. Whilst she remains in the land of the living. Chilling stuff, not to mention heartbreaking.” 

Wanda looked at him askance. “Are you sure that’s how Titanic ends?” 

He nodded emphatically. “Trust me. An elephant never forgets, and neither does a five-and-a-half-thousand-year-old god. Have you really never seen it? We’ll have to get the video.” 

“We’ll have to find somewhere that still sells videos for a start.” 

They were ambling along a single-track country lane in Lancashire, not far from the village of Croston, sharing a bag of chips bought from the layby where Edward had parked the camper van. The sun was shining brilliantly, early spring warmth beating down on them. Birds sang in the hedgerows, and daffodils bloomed in daring shades of egg yolk and mustard on the verges.  

“I watched it sail off, you know,” Edward said offhandedly, spearing a chip with a tiny wooden spork. 

“What? The Titanic?” 

“Yup.” 

“You never did!” Wanda was agog – his age never ceased to amaze her. She felt old enough at sixty-two much of the time, but when he talked about the things he’d seen it made her feel like she’d hardly been born. “What was it like?” 

He shrugged. “Shipshape and shiny, I suppose. Very smart, but a disappointing lack of water slides from what I could see. I was only there stopping a Trachvor demon from stowing away … quite a funny story actually, you see it’d stolen the skin of this rich old woman –” 

She held up a hand. “Woah, woah, no thanks. We’re having a nice day out, that’s what you said! No skin-stealing, no monsters – just chips and a walk.” 

“Oh come on, I’m only talking!” 

“No! Because the next thing you know it’ll be, ‘Whoops, I forgot that just talking about this Tractor-whatever demon also happens to summon it … and oh dear look at it running off with Wanda’s skin.’” 

“Fine!” he snapped with faux-huffiness. He sporked another chip. “But you’re missing out.” 

The lane dropped down, ploughed fields on either side. Soon they found themselves on an old stone bridge arched over a rushing, full river. The bridge had no sides, no railings or parapet of any kind, just a sharp drop over the edge to the water some ten feet below. They stopped, taking in the view of the river valley, the fields and the naked trees that rose up into the bright blue sky.  

“Now that’s more like it. Not bad,” Edward sighed happily. “Not bad at all.” 

“Yeah and a great spot for a game of Pooh-sticks,” Wanda said with a chuckle, wondering if there were any suitable racing sticks nearby. “I do love rivers,” she continued. “I love the sound of the water.” 

“So did my mum. She’d sit for decades by a river like this, just listening to it.” 

Edward’s mum, she well knew, had been murdered along with his dad several thousand years ago, by his psychotic brother. But he rarely spoke about her, about either of them for that matter.  

“What was she like?” 

“Mum? Ah, she was …” He broke off, suddenly flustered. “She was kind, I suppose. She was really kind.” 

“Like you, then.” 

He smiled sadly. “Not a bit.” 

“You must miss her.” 

“I suppose I must.” His voice went far away for just a moment, before – as was his usual habit when conversation became too real – he cheerfully changed the subject, swinging his arms and almost spilling the chips. “What next, then? There’s a witch in the next village over who makes a fantastic Victoria Sponge if you fancy some pudding?” 

Wanda laughed. “No! Blimey, it’s like an illness with you, isn’t it? A normal day, Mr Brett! Just for once, just for me, please?” 

But Edward was staring down over the side of the bridge, towards the riverbank. 

“Mr Brett? Oh Lord, you’re not sulking now, are you? You know what I say about sulking: it’s like digging a hole, and the more you dig the harder it is to …” She trailed off, realising that it wasn’t a sulky stare – it was an I’ve sensed something stare. One of the few godly powers Edward still had, after the rest were stolen by a band of interfering monks over a thousand years ago, was the ability to discern supernatural goings-on when they were nearby. “What is it?” 

“Look down there.” He pointed over the side. “On the rock.” 

She craned her neck over, holding Edward’s arm for support as she leant over the edge, head spinning from the height. Down on the bank below was a young man in a red Puffa jacket, sitting on a large boulder with his legs tucked up under his chin. She could see, even from this angle, that he was crying. 

Looking back to Edward, she pulled an awkward face. “Oh dear, trouble at mill.” 

“Trouble indeed.” 

“Surely it’s just normal crying though, no? I mean it could be something, you know, personal … what if we stick our noses in and then it’s awkward?” 

“Two things you should never ignore, Wanda: one, someone crying alone, and two, a cat if you’re out for a walk. Always say hello.” 

“Don’t tell me, cats are all actually magic pixies who were cursed by an evil wizard or something?” 

“Don’t be ridiculous, it’s just good manners. Come on.” He waltzed off towards the end of the bridge, where a steep footpath led down to the water. “Magic pixies?” 

 “Shut it,” Wanda grumbled.